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Robert Altman
Author: Patrick McGilligan
Publisher: Macmillan
ISBN: 0312304676
Pages: 676
Year: 1989-07-15
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The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).
Robert Altman
Author: Mitchell Zuckoff
Publisher: Vintage
ISBN: 0307387917
Pages: 560
Year: 2010
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Draws on the perspectives of family members, colleagues, and actors to assess the director's life and artistic achievements, discussing such topics as his womanizing reputation, his heart transplant, and the creation of his films.
Robert Altman
Author: Robert Altman, David Sterritt
Publisher: Univ. Press of Mississippi
ISBN: 1578061873
Pages: 225
Year: 2000-01-01
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Robert Altman is one of the most inventive, unpredictable, and hotly debated American filmmakers of the past thirty years. His movies include popular hits (M.A.S.H., Nashville), critical successes (Thieves Like Us, The Long Goodbye, Short Cuts), and outright disasters (Beyond Therapy). Through triumph and tribulation alike, Altman has never lost the experimental spirit that brought him into feature filmmaking after twenty years of refining his talent on industrial movies and TV episodes. He also has maintained a gregarious, often garrulous nature, rarely missing an opportunity to discuss his work, life, and ambitions with the many critics and scholars who have plied him with questions throughout his career. The lively interviews in this book, drawn from a wide variety of sources, range from a colorful talk with Altman as he prepared an early foray into the western genre (McCabe and Mrs. Miller) to a mid-1990s conversation about the challenges of blending jazz and cinema in Kansas City. The interviews probe the many corners of Altman's work, including his epic battles with Hollywood studios and producers, his deep commitment to independent production, his creative views on video and stage-to-screen adaptation (a major facet of his career), and his insistence that he is more an audiovisual artist than a storytelling entertainer. Altman's conversations cast light on his idiosyncratic personality, revealing his taste for intoxicating experiences both on and off the screen and suggesting links between his risk-taking behaviors at the gambling table and the motion-picture set. This collection of interviews is a first-person portrait of a true American maverick whose freewheeling career has waged a decades-long campaign against Hollywood complacency and served as inspiration for new generations of independent screen artists. David Sterritt has been film critic for The Christian Science Monitor since 1968. He is an associate professor of film at Long Island University and the editor of Jean-Luc Godard: Interviews (University Press of Mississippi).
The Cinema of Robert Altman
Author: Robert Niemi
Publisher: Columbia University Press
ISBN: 0231850867
Pages: 216
Year: 2016-03-01
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In a controversial and tumultuous filmmaking career that spanned nearly fifty years, Robert Altman mocked, subverted, or otherwise refashioned Hollywood narrative and genre conventions. Altman's idiosyncratic vision and propensity for formal experimentation resulted in an uneven body of work: some rank failures and intriguing near-misses, as well as a number of great films that are among the most influential works of New American Cinema. While Altman always professed to have nothing authoritative to say about the state of contemporary society, this volume surveys all of his major films in their sociohistorical context to reposition the director as a trenchant satirist and social critic of postmodern America, depicted as a lonely wasteland of fraudulent spectacle, exploitative social relations, and unfulfilled solitaries in search of elusive community.
Robert Altman
Author: Daniel O'Brien
Publisher: B. T. Batsford Limited
ISBN:
Pages: 144
Year: 1995
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Robert Altman
Author: Rick Armstrong
Publisher: McFarland
ISBN: 078648604X
Pages: 205
Year: 2011-02-07
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The life and work of motion picture director Robert Altman (1925–2006) are interpreted from a variety of perspectives in this collection of essays. Actors, historians, film scholars, and cultural theorists reflect on Altman and his five-decade career and discuss the significance of music, history and genre in his films. Two actors who have appeared in some of the filmmaker’s most important works are prominently represented, with a statement from Elliot Gould (MASH, The Long Goodbye, California Split) and an essay by Michael Murphy (McCabe and Mrs. Miller, Nashville, Tanner ’88). The collection ends with an essay on the importance of death in the director’s final productions The Company (2003) and Prairie Home Companion (2006) by noted Altman scholar Robert T. Self.
Robert Altman's Subliminal Reality
Author: Robert T. Self
Publisher: U of Minnesota Press
ISBN: 0816637903
Pages: 332
Year: 2002
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With his complex and unconventional films, Robert Altman often draws an impassioned response from critics but bafflement and indifference from the general public. Some audiences have dismissed his movies as insignificant, unsatisfying, and unreadable. Ironically, Altman might agree: he makes films in order to challenge filmgoers' expectations of straightforward narratives and easily understood endings. In Robert Altman's Subliminal Reality, Robert T. Self sheds light on Altman's work and provides the most comprehensive analysis of his films to date. With close readings of classics like MASH, McCabe & Mrs. Miller, and Nashville, as well as the more recent films The Player, Short Cuts, and Cookie's Fortune, Self asserts the value of Altman's work not only to film theory and the entertainment industry but to American culture. Book jacket.
The Nashville Chronicles
Author: Jan Stuart
Publisher: Hal Leonard Corporation
ISBN: 0879109815
Pages: 366
Year: 2003-01
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The Nashville Chronicles is a fascinating journalistic tour de force of the movie that legendary film critic Pauline Kael called "The funniest epic vision of America ever to reach the screen." In writing this book, Jan Stuart enjoyed the benefit of full cooperation from Altman, who sat for many hours of interviews, as well as most of the motley crew of cast and characters. Illustrated throughout with behind-the-scenes photos.
A Companion to Robert Altman
Author: Adrian Danks
Publisher: John Wiley & Sons
ISBN: 1118288904
Pages: 536
Year: 2015-06-22
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A Companion to Robert Altman presents myriad aspects ofAltman’s life, career, influence and historical context. Thisbook features 23 essays from a range of experts in the field,providing extensive coverage of these aspects and dimensions ofAltman’s work. The most expansive and wide–ranging book yet published onAltman, providing a comprehensive account of Altman’scomplete career Provides discussion and analysis of generally neglected aspectsof Altman’s career, including the significance of his work intelevision and industrial film, the importance of collaboration,and the full range and import of his aesthetic innovations Includes essays by key scholars in “Altmanstudies”, bringing together experts in the field, emergingscholars and writers from a broad range of fields Multi–disciplinary in design and draws on a range of approachesto Altman’s work, being the first substantial publication tomake use of the recently launched Robert Altman Archive at theUniversity of Michigan Offers specific insights into particular aspects of film styleand their application, industrial and aesthetic film and TVhistory, and particular areas such as the theorisation of space,place, authorship and gender
Altman (Text-Only Edition)
Author: Kathryn Reed Altman, Giulia D'Agnolo Vallan
Publisher: Abrams
ISBN: 1683351916
Pages: 336
Year: 2017-10-31
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For decades, Robert Altman fascinated audiences with pioneering films—among them M*A*S*H, Nashville, The Player, and Gosford Park—that combined technical innovation with subversive, satirical humor and impassioned political engagement. His ability to explore and engage so many different worlds with a single, coherent vision changed the landscape of cinema forever. This signature "Altmanesque" style is, in the words of Martin Scorsese: "as recognizable and familiar as Renoir's brushstrokes or Debussy's orchestrations." In 2014, the Altman estate opened its archive to celebrate his extraordinary life and career in the first authorized visual biography on the iconoclastic director. Altman (Text-Only Edition), by Altman’s widow Kathryn Reed Altman and film critic Giulia D’Agnolo Vallan, includes a complete historical and critical narrative of Altman’s films and his process. To honor the Altman trademark of using a wide cast of characters, Altman also features contributions from his collaborators and contemporaries including Frank Barhydt, E. L. Doctorow, Roger Ebert, Jules Feiffer, Julian Fellowes, James Franco, Tess Gallagher, Pauline Kael, Garrison Keillor, Michael Murphy, Martin Scorsese, Lily Tomlin, Alan Rudolph, Michael Tolkin, and Kurt Vonnegut Jr.
Robert Altman
Author: Frank Caso
Publisher: Reaktion Books
ISBN: 1780235526
Pages: 320
Year: 2015-10-15
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Known as an iconoclast and maverick, film director Robert Altman has consistently pushed against the boundaries of genre. From refashioning film noir in The Long Goodbye, the western in McCabe & Mrs. Miller, the psychological drama in Images, science fiction in Quintet, and the romantic comedy in A Perfect Couple, he has always tested the limits of what film can and should do. In this book, Frank Caso examines the development of Altman’s artistic method from his earliest days in industrial film to his work in television and feature films. Altman is one of those directors whose films audiences can easily recognize, but what exactly are the distinctive elements that have become his signature? Caso identifies more than twenty such elements in Altman’s style, tracing some—such as his use of free-hand cameras and engagement with Christian imagery—to the beginning of his career. Caso also examines Altman’s unsettling mix of offbeat comedic tone with a predominance of violence, murder, and death, showing how their counterpointing effects rendered his films at once naturalistic and otherworldly. Exploring these and other aspects of the Altmanesque style, Caso maps the innovations that have made Altman a master filmmaker. Enriched with illustration throughout, Robert Altman will appeal to fans of this distinctive American auteur or anyone interested in ground-breaking cinema.
Robert Altman's Prêt à porter
Author: Robert Altman
Publisher: Miramax
ISBN:
Pages: 187
Year: 1994
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Robert Altman, American innovator
Author: Judith M. Kass
Publisher:
ISBN:
Pages: 282
Year: 1978
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The Films of Robert Altman
Author: Alan Karp
Publisher:
ISBN:
Pages: 502
Year: 1982
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Robert Altman's Soundtracks
Author: Gayle Sherwood Magee
Publisher: Oxford University Press, USA
ISBN: 0199915962
Pages: 296
Year: 2014
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American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster M*A*S*H (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including Nashville (1975), Popeye (1980), Short Cuts (1993), Kansas City (1996), The Company (2003) and A Prairie Home Companion (2006), his final film. Even such non-musicals as McCabe and Mrs. Miller (1971) have been described as, in fellow director and protégé Paul Thomas Anderson's evocative phrase, as "musicals without people singing." Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book considers the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration.