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Renaissances italiennes
Author: Élisabeth Crouzet-Pavan
Publisher: Albin Michel
ISBN: 2226287388
Pages: 672
Year: 2013-03-13
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Au mythe de la « Renaissance » et aux débats qui s'y attachent, à la figuration célébrée d'un présent fécondé par une restitution des sagesses de l'Antiquité, à l'imaginaire humaniste d'un recommencement, Élisabeth Crouzet-Pavan préfère substituer l'horizon des Renaissances italiennes. Le pluriel s'impose à ses yeux, parce qu'il existe une autre Renaissance, moins démonstrative que celle des savants et des artistes, mais tout aussi vivante, par laquelle continuent à vivre et à revivre des passés plus ou moins proches. Les représentations, les mémoires et les actions s'enchâssent et jouent alors les unes avec les autres parce que les temps communiquent sans cesse. C'est un âge du paradoxe qui surgit sous nos yeux : de grandes espérances coexistent avec l'appréhension de l'imminence du Jugement dernier, des rêves enthousiastes d'harmonie voisinent avec l'angoisse du péché, la quête de la beauté est confrontée à la conscience du mal... Renaissances italiennes, de Milan à Naples, de Florence à Venise, de Rome à Ferrare, invite ainsi le lecteur à déplacer son regard. Et dans cette somme magistrale, Élisabeth Crouzet-Pavan nous guide dans la complexité d'un univers humain qui éprouvait autant un immense amour de la vie qu'une tenace peur de la mort, autant une extraordinaire exaltation créatrice qu'une profonde sensation de finitude...
Cities and Creativity from the Renaissance to the Present
Author: Ilja Van Damme, Bert De Munck, Andrew Miles
Publisher: Routledge
ISBN: 1351681796
Pages: 276
Year: 2017-09-18
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This volume critically challenges the current creative city debate from a historical perspective. In the last two decades, urban studies has been engulfed by a creative city narrative in which concepts like the creative economy, the creative class or creative industries proclaim the status of the city as the primary site of human creativity and innovation. So far, however, nobody has challenged the core premise underlying this narrative, asking why we automatically have to look at cities as being the agents of change and innovation. What processes have been at work historically before the predominance of cities in nurturing creativity and innovation was established? In order to tackle this question, the editors of this volume have collected case studies ranging from Renaissance Firenze and sixteenth-century Antwerp to early modern Naples, Amsterdam, Bologna, Paris, to industrializing Sheffield and nineteenth-and twentieth century cities covering Scandinavian port towns, Venice, and London, up to the French techno-industrial city Grenoble. Jointly, these case studies show that a creative city is not an objective or ontological reality, but rather a complex and heterogenic "assemblage," in which material, infrastructural and spatial elements become historically entangled with power-laden discourses, narratives and imaginaries about the city and urban actor groups.
The Italian Renaissance
Author: Peter Burke
Publisher: Princeton University Press
ISBN: 0691162409
Pages: 326
Year: 2014-02-23
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In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and he analyses the ways of thinking and seeing that characterized this period of extraordinary artistic creativity. Developing a distinctive sociological approach, Peter Burke is concerned not only with the finished works of Michelangelo, Raphael, Leonardo da Vinci, and others, but also with the social background, patterns of recruitment, and means of subsistence of this 'cultural elite.' He thus makes a major contribution to our understanding of the Italian Renaissance, and to our comprehension of the complex relations between culture and society. Burke has thoroughly revised and updated the text for this new edition, including a new introduction, and the book is richly illustrated throughout. It will have a wide appeal among historians, sociologists, and anyone interested in one of the most creative periods of European history.
The Cambridge Companion to the Italian Renaissance
Author: Michael Wyatt
Publisher: Cambridge University Press
ISBN: 1139991671
Pages:
Year: 2014-06-26
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The Renaissance in Italy continues to exercise a powerful hold on the popular imagination and on scholarly enquiry. This Companion presents a lively, comprehensive, interdisciplinary, and current approach to the period that extends in Italy from the turn of the fourteenth century through the latter decades of the sixteenth. Addressed to students, scholars, and non-specialists, it introduces the richly varied materials and phenomena as well as the different methodologies through which the Renaissance is studied today both in the English-speaking world and in Italy. The chapters are organized around axes of humanism, historiography, and cultural production, and cover a wide variety of areas including literature, science, music, religion, technology, artistic production, and economics. The diffusion of the Renaissance throughout Italian territories is emphasized. Overall, the Companion provides an essential overview of a period that witnessed both a significant revalidation of the classical past and the development of new, vernacular, and increasingly secular values.
Must We Divide History Into Periods?
Author: Jacques Le Goff
Publisher: Columbia University Press
ISBN: 023154040X
Pages: 176
Year: 2015-09-08
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We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries. Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissance. We should instead view Western civilization as undergoing several "renaissances" following the fall of Rome, over the course of a long Middle Ages that lasted until the mid-eighteenth century. While it is indeed necessary to divide history into periods, Le Goff maintains, the meaningful continuities of human development only become clear when historians adopt a long perspective. Genuine revolutions—the shifts that signal the end of one period and the beginning of the next—are much rarer than we think.
Art and Its Global Histories
Author:
Publisher: Oxford University Press
ISBN: 1526119927
Pages: 336
Year: 2017-06-16
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The Reader Art and its global histories represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching.
Violence and Emotions in Early Modern Europe
Author: Susan Broomhall, Sarah Finn
Publisher: Routledge
ISBN: 1317424190
Pages: 214
Year: 2015-07-30
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Violence and Emotions in Early Modern Europe examines the purposes for which specific forms of violence and particular emotional states functioned, how they operated in relation to each other, or indeed how one provoked, sustained or diminished the other. These twelve original essays demonstrate the complexities of violence and emotions and the myriad possibilities of their inter-relationships. They emphasize the great efforts that were made by early modern societies to control modes of violence and emotional regimes to achieve positive as well as negative effects, such as creating order, healing, and bringing individuals and communities together around productive identities. Authors consider legal documents, news reports, memoirs, letters, confraternity statutes, and medical consultations to investigate the bodily and textual practices in which violent and emotional acts were created, supported and disseminated to investigate the power, aims, effect and outcomes of relationships between violence and emotions. The chapters look at a range of topics and countries including Renaissance Italy and sixteenth-century Germany, France in the grip of the religious wars, and England’s Civil Wars as well as a wide range of topics including murder, punishment, community healing, insults, threats, prophecy and medical and devotional practices. This collection will be essential reading for students and scholars of the history of emotions or violence.
A Companion to Venetian History, 1400-1797
Author:
Publisher: BRILL
ISBN: 9004252525
Pages: 992
Year: 2013-07-11
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The Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research.
Les collections de L'histoire
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ISBN:
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Year: 2009
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Venice Triumphant
Author: Elisabeth Crouzet-Pavan, Lydia G. Cochrane
Publisher: JHU Press
ISBN: 0801881897
Pages: 386
Year: 2005-02-16
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In 'Venice Triumphant' the author provides a rich, multilayered history of Venice from Roman times to the 16th century, focusing on the relationship between the city and its unique physical milieu in a way that emphasises complexity and continuity --back cover.
La Renaissance, des Renaissances
Author: Marie-Sophie Masse
Publisher: Klincksieck
ISBN: 2252037547
Pages: 344
Year: 2010-04-16
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Combien de Renaissances? Une seule celle qui debute a la fin du XIVe siecle en Italie et touche la France au XVIe siecle , autrement dit la Renaissance ? Ou bien celle-ci fut-elle precedee de Renaissances medievales, en particulier a l'epoque carolingienne et au XIIe siecle? Plus generalement, peut-on affirmer l'unicite de la Renaissance, doit-on au contraire envisager l'existence dune pluralite de Renaissances a travers les epoques et les cultures, ou encore faut-il mettre en question le concept meme de Renaissance, aussi confortable que trompeur en regard dune realite necessairement plus complexe? Ce livre se donne comme objectif de croiser les points de vue de specialistes du Moyen Age et de la Renaissance sur ces questions, en particulier par la confrontation de leur perception a celle des contemporains des epoques concernees. A travers linterrogation sur la legitimite et la pertinence de la notion de Renaissance(s), sur la realite et lidee quelle recouvre, sur le mot, sa majuscule et son pluriel, ce sont des enjeux essentiels qui se font jour. De maniere implicite, la reflexion porte sur les racines de lEurope moderne chretiennes, ou humanistes, ou les deux a la fois mais aussi sur lexistence ou non dun processus de civilisation unique dont la Renaissance serait un moment essentiel, et donc sur les questions du relativisme culturel et de luniversalite.
Études
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ISBN:
Pages:
Year: 2007
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Le château au quotidien
Author: Anne-Marie Cocula, Michel Combet
Publisher: Ausonius
ISBN: 2356130047
Pages: 325
Year: 2008
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L'Histoire
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Publisher:
ISBN:
Pages:
Year: 2007
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Famille, genre, transmission à Venise au XVIe siècle
Author: Anna Bellavitis
Publisher: Ecole Française de Rome
ISBN: 2728308403
Pages: 241
Year: 2008
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