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Pierre de L'Estoile and his World in the Wars of Religion
Author: Tom Hamilton
Publisher: Oxford University Press
ISBN: 0192520482
Pages: 272
Year: 2017-04-13
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The Wars of Religion embroiled France in decades of faction, violence, and peacemaking in the late sixteenth century. When historians interpret these events they inevitably depend on sources of information gathered by contemporaries, none more valuable than the diaries and collection of Pierre de L'Estoile (1546-1611), who lived through the civil wars in Paris and shaped how they have been remembered ever since. Taking him out of the footnotes, and demonstrating his significance in the culture of the late Renaissance, this is the first life of L'Estoile in any language. It examines how he negotiated and commemorated the conflicts that divided France as he assembled an extraordinary collection of the relics of the troubles, a collection that he called 'the storehouse of my curiosities'. The story of his life and times is the history of the civil wars in the making. Focusing on a crucial individual for understanding Reformation Europe, this study challenges historians' assumptions about the widespread impact of confessional conflict in the sixteenth century. L'Estoile's prudent, non-confessional responses to the events he lived through and recorded were common among his milieu of Gallican Catholics. His life-writing and engagement with contemporary news, books, and pictures reveals how individuals used different genres and media to destabilise rather than fix confessional identities. Bringing together the great variety of topics in society and culture that attracted L'Estoile's curiosity, this volume rethinks his world in the Wars of Religion.
Dictionary of Painters and Engravers
Author: Michael Bryan
Publisher:
ISBN:
Pages:
Year: 1889
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Paris
Author: Matthew Weinreb, Fiona Biddulph
Publisher: Phaidon Press
ISBN:
Pages: 240
Year: 1999-08-26
View: 945
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Composed of a sequence of images punctuated by a series of essays whichxplore Paris through its architectural features and materials, this bookocuses on both famous landmarks and lesser-known, anonymous buildings.
Masters in Arts
Author: Romney Fra Angelico, Watteau Raphael's Frescos, Donatello, Gerard Dou Carpaccio, Rosa Bonheur, Guido Reni Puvis de Chavannes, Giorgione Rossetti
Publisher:
ISBN:
Pages:
Year: 1903
View: 204
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"Painting, Politics and the Struggle for the ?ole de Paris, 1944?964 "
Author: Natalie Adamson
Publisher: Routledge
ISBN: 1351555197
Pages: 330
Year: 2017-07-05
View: 802
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Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
Portrait of the King
Author: Louis Marin
Publisher: Springer
ISBN: 1349190616
Pages: 290
Year: 1988-02-12
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Joan of Arc
Author: Marina Warner
Publisher: OUP Oxford
ISBN: 0191651931
Pages: 400
Year: 2013-03-21
View: 553
Read: 1251
The fame of Joan of Arc began in her lifetime and, though it has dipped a little now and then, she has never vanished from view. Her image acts as a seismograph for the shifts and settlings of personal and political ideals: Joan of Arc is the heroine every movement has wanted as their figurehead. In France, anti-semitic, xenophobic, extreme right parties have claimed her since the Action Francaise in the 19th century. By contrast, Socialists, feminists, and liberal Catholics rallied to her as the champion of the dispossessed and the wrongly accused. Joan of Arc has also played a crucial role in changing visions of female heroism. She has proved an inexhaustible source of inspiration for writers, playwrights, film-makers, performers, and composers. In a single, brief life, several of the essential mythopoiec characteristics that throughout history have defined the charismatic leader and saint are powerfully and intensely condensed. Even while Joan of Arc was still alive, but far more so after her death, the heroic part of her story sparked narratives of all kinds, in pictures, ballads, plays, and also satires. This was only heightened in 1841-9 by the publication of the Inquisition trial which had examined Joan for witchcraft and heresy. The transcript of the interrogations gives us the voice of this young woman across the centuries with almost unbearable immediacy; her spirit leaps from the page, uncompromising in its frankness, good sense, courage, and often breathtaking in its simple effectiveness. Joan of Arc into one of the most fully and vividly present personalities in history, about whom a great more is known, in her own words and at first hand, than is, for example, about Shakespeare. However, this has not stopped the flow of fictions and fantasies about her. Marina Warner analyses the symbolism of the Maid in her own time and in her rich afterlife in popular culture. The cultural expressions are part of an ongoing historical struggle to own the symbol - you could say, the brand. In a new preface to her study, Marina Warner takes stock of the continuing contention, in politics and culture, for this powerful symbol of virtue. Joan of Arc's multiple resurrections and transformations show how vigorous the need for figures like her remains, and how crucial it is to meet that need with thoughtfulness. She argues that abandoning the search to identify heroes and define them, out of a kind of high-minded distaste for propaganda, lets dangerous political factions manipulate them to their own ends. When Marine Le Pen calls on Joan of Arc's name, she needs to be confronted about her bad faith and her abuse of history.
Appletons' Annual Cyclopaedia and Register of Important Events
Author:
Publisher:
ISBN:
Pages:
Year: 1894
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The Houses and Collections of the Marquis de Marigny
Author: Alden R. Gordon, Carolyne Ayçaguer-Ron, Maria Leilani Gilbert, Elizabeth A. Spatz, Patricia A. Teter
Publisher: Getty Publications
ISBN: 089236694X
Pages: 677
Year: 2003
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Between 1750 and his death in 1781, the Marquis de Marigny?brother of Madame de Pompadour, courtier to Louis XV, and one of eighteenth-century France's important patrons of art and architecture?amassed a collection that was broad in scope, progressive in taste, and exceptional in quality and provenance. This book offers a transcription of the exhaustive inventory of Marigny's estate together with an essay in which Alden R. Gordon not only sketches Marigny's life and times but also re-creates the interiors and grounds where the paintings, statues, books, household goods, and other property listed in the inventory were displayed and used. Also included are plans of Marigny's last four residences; lists of heirs, paintings, and auction sales; transcriptions of shipping manifests and sales catalogs; indexes; and a glossary.
Paris and Its Environs
Author: Karl Baedeker (Firm)
Publisher:
ISBN:
Pages: 420
Year: 1900
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Paris and Environs with Routes from London to Paris
Author: Karl Baedeker
Publisher:
ISBN:
Pages: 500
Year: 1900
View: 1293
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The Vision of Rome in Late Renaissance France
Author: Margaret M. McGowan
Publisher: Yale University Press
ISBN: 0300085354
Pages: 461
Year: 2000
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"The French vision of Rome was initially determined by travel journals, guide books and a rapidly developing trade in antiquities. Against this background, Margaret McGowan examines work by writers such as Du Bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present. She explains how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary.
Origins of Impressionism
Author: Gary Tinterow, Henri Loyrette
Publisher: Metropolitan Museum of Art
ISBN: 0870997173
Pages: 486
Year: 1994-01-01
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"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A General Dictionary of Painters
Author: Matthew Pilkington
Publisher:
ISBN:
Pages:
Year: 1829
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LOUIS XVI REV/E
Author: John Hardman
Publisher: Yale University Press
ISBN: 0300060777
Pages: 264
Year: 1994
View: 1173
Read: 176
The reign of Louis XVI, which ended in 1793 with the guillotining of the king and his queen, Marie-Antoinette, is a dramatic and crucial part of French history. Yet there have been no scholarly studies of Louis in any language, a result of the destruction or dispersal of the king's personal papers and documents. John Hardman, who has spent many years tracking down the primary sources, now fills the gap with this engrossing and perceptive account of Louis's reign. Hardman divides his story into three periods. His account of the first twelve years of Louis's reign, from 1774 to 1786, penetrates the secret workings of absolute monarchy in the last stage of its development. During this period, Hardman shows, the King was capable, especially in the fields of foreign affairs and public finance, but also austere, enigmatic and at times callous. The second part of the book, from 1787-9, opens with Louis's great personal reform initiative, presented to the Assembly of Notables and one of the pivotal events of the reign. Here Hardman discusses the disintegration of the regime, the loss of Louis' personal composure, and the corresponding rise in the influence of Marie-Antoinette. The King's often misunderstood attitude to the Estates-General in 1789, he argues, determined the whole character and course of the French Revolution. The main political theme of the final section, from 1789-93, is the King's attitude towards the Revolution as embodied in the Constitution of 1791. But here the political drama is replaced in part by a human one: as Louis's political role declined, his character, tempered by suffering, appears increasingly sympathetic. In the end, Louis emerges as a ruler with clear ideasand a genuine concern for the French people, and the flight to Varennes and the King's imprisonment and execution take on a new poignancy.